The Path of Yogic Singing & Sacred Dancing:
Cultivating Wisdom with Manjusrhi
Four Week Course wtih Prajwal Vajracharya & Joshua Proto
Saturdays November 27th - December 18th
Time:
10am - 12pm Los Angeles
12pm Mexico City | 1pm New York
6pm London | 7pm Rome | 9pm Moscow
$108
This course is offered live on Zoom.
Each class will be recorded and shared with registered participants of the class.
The recordings will be available to watch at any time.
In the Newar Vajrayana Buddhist Tradition of Nepal it is taught that there can be no liberation without singing and dancing — the physical body and the voice are the tools of transformation with which we awaken and free our minds.
Charya Nritya, a Sanskrit term meaning "dance as a spiritual discipline” is an ancient Vajrayana Buddhist dance tradition that until recently was unknown outside the circles of initiates who perform it. This sacred dance and song form is one of the religious arts of the Tantric Buddhist priests of the Kathmandu Valley, who perform it as part of their esoteric meditation and rituals since before the time of the Buddha. Each dance, through bodily gesture and energy-directed movement, invokes a different deity, such as Manjushri, Avalokiteshvara, Vajrayogini, or Vajrapani.
The Tantric practitioner dances in a state of deep meditative awareness in order to embody the living presence of the compassionate, peaceful, and fierce divinities, who are described in the esoteric Sanskrit charya-giti songs, sung as accompaniment to the dance and singing. Generating the mandalas of body, voice, and mind to realize oneness with the deity is the practitioner’s goal. Charya-giti are sung individually or by a group, with a variety of raga (melodies) and tala (metres); and accompanied by small cymbals known as ta and sometimes by a two-headed hourglass drum, or damaru. The songs begin with a flowing raga, followed by a more metrical section, including description and praise of the deity.
About this course:
In this four week course we will learn the yogic song (Charya Giti) and the accompanying sacred ritual dance (Charya Nritya) of Manjushri, the Buddha of Wisdom in order to cultivate wisdom and heal our own body, energy, mind, and emotions.
In the first part of each weekly class students will be instructed in the oral tradition of Nepalese Ragas (musical modes), tala (rhythmic cycles), and will be taught the traditional melodic song of Manjushri. Over four classes, students will become familiar with cultivating their voices, matching the pitches of the Raga, and keeping time. In the second part of the class students will learn the complete ritual dance of Manjushri, and finally they will merge the song and dance together.
The practical teachings on song and dance will be complemented by Prajwal’s teachings on the mythological origins of the Kathmandu Valley, highlighting the origins of Vajrayana Buddhism and Tantric Buddhist practice in the Kathmandu Valley.
This is a healing and a purification practice for body, speech and mind. Absolutely no prior singing or dancing experience is required. Just as all beings have the potential to attain liberation, everyone can also sing and dance, regardless of the quality of their voice or body condition. All are welcome!
INCLUDED IN THIS COURSE
Four Live Interactive Webinars with Prajwal Vajracharya and Joshua Proto
Audio Files of Charya Dance Songs
Articles on the history and tradition of Charya Dance
Additional Resources
About your Teachers
Prajwal Ratna Vajracharya is a 35th generation Tantric Buddhist priest from Nepal and ritual master of the Charya Nritya dance tradition and other ritual forms performed by the Newar Vajracharya lineage. Prajwal began his training in Charya Nritya at eight years old, receiving formal instruction mainly from his father, the Buddhist scholar and ritual master Ratna Kaji Vajracharya. Prajwal Vajracharya is now the premier teacher, practitioner, and performer of the tradition and is a veteran of several world tours with beginning and advanced students around the globe. He founded Dance Mandal: Foundation for Sacred Buddhist Arts of Nepal to preserve and expand this rare art form and its related traditions. With the survival of this sacred ritual dance threatened by modernization, Prajwal, at his father’s wishes, has dedicated his life to bringing this unique Buddhist heritage from the temples of Nepal to the world, while adhering to its original purpose as a profound spiritual practice.
Joshua Proto, student of Prajwal Vajracharya, is a Buddhist practitioner in the Newar Vajrayana lineage of Charya dance and song. Trained in the Hindustani music style of Khyal from the Kirana Gharana, Joshua has found much joy in using his understanding of Indian Classical music to enrich his practice and excel in his study of Charya singing. He is excited to share his insights from both practices to help students discover the sound of their voice and the embodied wisdom it contains.
As the primary singer at Nritya Mandala Mahavihara in Portland, Oregon, Joshua is responsible for accompanying Prajwal and the temple dancers in over 35 Charya songs. In adherence to his teacher, Prajwal Vajracharya’s wishes, Joshua strives to ensure that the complete practice of Charya as both artistic form and profound spiritual practice can survive and thrive in a modern world.